Top 10 Impressionist Piano Albums of All Time
Criteria: personal taste / experience, popularity, originality.
What is impressionism?
Impressionism was a movement in classical music which occurred
during the transition from romanticism to modernism. It was in part a reaction
to the intense, drawn-out pieces of the romantic era. It was also a period of
heavy experimentation with minor keys and dissonance. Impressionist pieces are
relatively short, and usually are meant to represent a specific scene (such as
"the old castle", "the swan", "the tempest", etc).
1. Children's Corner
by Claude Debussy
Children's Corner is my favorite album of impressionist music. It perfectly
conveys the simple joys and amusements of childhood. All of the pieces have
interesting uses of dissonance, diminished chords, and whimsical ornamentation.
The most famous is probably "Golliwog's Cakewalk", which is commonly
heard at
piano recitals. The first piece, "Doctor Gradus ad Parrssanum" is also aimed at poking fun at Gradus ad Parrssanum, the textbook on classical
counterpoint.
2. Pictures at an Exhibition (1874)
by Mussorgsky, later orchestrated by Maurice Ravel and others
Pictures at an exhibition is a textbook example of impressionism. It is based on
a Russian art exhibit given during Mussorgsky's time. It consists of ten pieces,
and has a unique semi rondo type form, since it (randomly) alternates between a
main theme, "The Promenade", and the pictures. The promenade is supposed to
represent strolling through the art gallery. The Old Castle is my favorite
piece, and probably the most well known. It is also one of the most relaxing
pieces of piano music ever made. Other movements are, The Gnome, A Polish cart
on enormous wheels, drawn by oxen,
Ballet of the Unhatched Chicks,
Two Jews: Rich and Poor, French women quarreling violently in the market,
The Catacombs, etc.
3. Bergamasque Suite
by Claude Deubssy
Contains the famous "Claire de Lune" ("moonlight").
4. Six Gnossiennes
by Erik Satie
5. Trois Morceaux En Forme de Poire ("Three Pieces in the Shape of a Pear")
by Erik Satie
Pure Satie. One of his most original works.
6. Trois Gymnopedies
by Erik Satie, later orchestrated by Debussy
Marked to be played as "Lent et Trieste", (slow and sad), Satie's most popular
work. Also a contender for most relaxing piano music of all time.
7. Preludes
by Claude Debussy
Contains "Dance of the Dolphins" and some more abstract dissonant works.
8. La Mer (Three Symphonic Sketches)
by Claude Debussy
"The Sea" for piano and orchestra
9. Carnival of the Animals (The Zoological Fantasy)
by Camille Saint-Saëns
Carnival of the animals is a collection of delightfully short pieces for piano
and orchestra. Probably the most famous song is "The Swan". "The Swan" captures
the grace and relaxed composure of swans. The Aquarium piece is also very cool.
Jokingly, there is also a piece called the "The Pianist".
10. Furniture Music
by Erik Satie
This is Satie's experimental background music for orchestra. It is not
particularly great sounding but is important because it is essentially
minimalism decades before its time. I have it ripped from vinyl if anyone is
interested. I also have very rare electronic renditions.
Quotes by Eric Satie:
"What I am"
Everyone will tell you I am not a musician. That is correct.
From the very beginning of my career I class myself a phonometrographer. My work
is completely phonometrical. Take my Fils des Étoiles, or my
Morceaux en forme de Poire, my En habit de Cheval or my
Sarabandes - it is evident that musical ideas played no part whatsoever in
their composition. Science is the dominating factor.
Besides, I enjoy measuring a sound much more than hearing it. With my phonometer
in my hand, I work happily and with confidence.
What haven't I weighed or measured? I've done all Beethoven, all Verdi, etc.
It's fascinating.
The first time I used a phonoscope, I examined a B flat of medium size. I can
assure you that I have never seen anything so revolting. I called in my man to
show it to him.
On my phono-scales a common or garden F sharp registered 93 kilos. It came out
of a fat tenor whom I also weighed.
Do you know how to clean sounds? It's a filthy business. Stretching them out is
cleaner; indexing them is a meticulous task and needs good eyesight. Here, we
are in the realm of pyrophony.
To write my Pièces Froides, I used a caleidophone recorder. It took
seven minutes. I called in my man to let him hear them.
I think I can say that phonology is superior to music. There's more variety in
it. The financial return is greater, too. I owe my fortune to it.
At all events, with a motodynamophone, even a rather inexperienced
phonometrologist can easily note down more sounds that the most skilled musician
in the same time, using the same amount of effort. This is how I have been able
to write so much.
And so the future lies with philophony.
-Erik Satie